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| Publisher |
Marvel |
| Writer |
Paul Jenkins |
| Artist |
Sean Phillips |
| Cover Artist |
Sean Phillips |
| Colorist |
Michael Atiyeh |
| Letterer |
Benchmark |
| Published | October 1999 |
Hot on the heels of Joe Kelly's story, WEBSPINNERS presents a new three-parter written by INHUMANS' Paul Jenkins! And it's set in modern continuity! Someone is driving Spider-Man absolutely insane! We know it¹s the Chameleon, but our poor wall-crawler doesn¹t! It¹s a strange psychological thriller that examines both what makes Peter Parker tick and what lies behind the many masks of Spidey's first adversary! In other words, if you like Jenkins' dark touch, you'll definitely dig this! All three chapters will be written by Jenkins. Sean Phillips (Hellblazer) will pencil issues #10 and #11 while new superstar J.G. Jones (BLACK WIDOW) will provide the covers... and pencil the stories' double-sized conclusion in issue #12! This issue opens with the Chameleon sittin alone with an opera blaring on the ol' Victrola. Amid pictures of Peter Parker, Mary Jane, Aunt May, and others. He puts lipstick around his eyes and mouth, then begins to write on the mirror. His message: don't make promises you can't keep. Cryptic. Peter Parker is no less disturbed that evening (just in a different sense of the word). He is walking through the park, thinking about the way things used to be. There is a bad feeling in the air and he is bemoaning the state of his life: lying to Mary Jane about putting on the webs again when webspinning is losing its appeal. His reverie is interrupted by a mime who acts like he's snapping a picture. Cut to another darkened room, where the Chameleon is talking with a clown named Eugene. Or so it seems. First we see one man's face, than the other in the mirror. Eugene pleads for another chance; "I thought you liked me." The Chameleon's response: "I'm afraid I'm going to have to let you go." And with the flick of a switch a small trailer outside the window explodes. Meanwhile, Peter is swinging around the city but is unable to escape his sense of foreboding. "It's something bad, you just know it, it's out there right in front of your eyes." Calling...
